PPL to administer George Ezra’s international neighbouring rights

Category:

George has released two chart-topping, multi-platinum albums – Wanted on Voyage (2014) and Staying at Tamara’s (2018) – making him “one of the biggest breakout UK artists of the last five years”1.

Staying at Tamara’s helped George to win British Male Solo Artist at the 2019 BRIT Awards and featured two of his most popular tracks: “Shotgun” and “Paradise”. Peaking at No.1 and No.2 respectively, and with a combined stay of 154 weeks in the UK Official Charts, these, and other songs, have helped George become an established name within British music. Indeed, both recordings featured in the top ten of PPL’s Most Played Tracks of 2018, a chart which uses exclusive radio and TV music usage data to find the songs most commonly played on the airwaves across the country.

By selecting PPL to manage his international neighbouring rights, George will benefit from over 95 agreements that the company holds with collective management organisations (CMOs) around the world. In 2018, these agreements covered 96% of the global value of the neighbouring rights markets for performers. These relationships, along with an experienced team of neighbouring rights specialists and leading data and technology, help PPL identify and collect significant royalty sums; in 2019, its international revenue had a record year, collecting £86.7 million.

Peter Leathem, Chief Executive Officer at PPL, said:

“We are proud that George Ezra and his team have chosen PPL to administer his international neighbouring rights. He will benefit from the quality of our operations, our technology and our team, who are excited to be representing one of the UK’s brightest talents.

Our position in the neighbouring rights market is unique given the scale of our collections and operations, which allows us to invest heavily in our people, data and technology infrastructure. In 2019, we generated £86.7 million from this part of our business. We have strong relationships with our counterparts around the world, we have a voice in global discussions on rights management and we play a central role in data initiatives to help grow the market further.

George joins a growing number of performers using our international collections service and we are delighted to welcome him to the PPL community.”

ENDS

For media enquiries, contact David Cohen, PPL Communications and PR Manager, at david.cohen@ppluk.com / 020 7534 1262 / 07729 321 096

Share this article

WhatsApp
Facebook
LinkedIn
X

Related articles

(L-R) Peter Leathem OBE, Annie Lennox and Fran Nevrkla OBE during The MITS Award 2013, Grosvenor House Hotel, London, England, on 4 November 2013. (Photo by 2013 JM Enternational)

Peter Leathem OBE on PPL’s support for the Music Industry Trusts Award

Ahead of this year's Music Industry Trusts (MITS) Award, Peter Leathem OBE, CEO of PPL, explains why PPL has supported the event for nearly two decades and why its fundraising impact continues to make a difference across the music industry.
Credit: Jason Hetherington

We’ve still got the feeling after all this time: Robbie Williams’ most played song has been revealed as ‘Feel’ to mark National Album Day 2026

PPL airplay data celebrates one of Britain's most enduring music icons as National Album Day 2026 shines a spotlight on Robbie Williams.
SAWP

PPL signs agreement with SAWP Poland to receive Annual Supplementary Remuneration

PPL has signed a new agreement with Polish collective management organisation SAWP to support the collection and distribution of Annual Supplementary Remuneration (ASR) for performers.
PPL
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible.

Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.