UK royalties

PPL represents more than 150,000 performers and recording rightsholders, licensing and collecting royalties on their behalf when their recorded music is used in the UK.

 “PPL has shown they are the leaders in advocating for neighbouring rights globally.”

The John Lennon Estate

Every year we pay out hundreds of millions of pounds to our members, helping ensure that those who invest their talent, time or money in creating recorded music are paid fairly when it is broadcast or played in public.

 

Can I join PPL?

Performers

Anyone who has performed on, or made an audible contribution to, recorded music can join PPL as a performer member.

Rightsholders

Anyone who owns, or is the exclusive licensee of, the UK rights for when recorded music is broadcast or played in public can join PPL as a recording rightsholder member.

Performer & Rightsholder

If you are both a performer and a recording rightsholder, you will need to join PPL in both capacities. To keep things simple, we have a combined performer and recording rightsholder registration form that you can use.

Female drummer performing live on stage with drum set

PPL makes payment of £96.7 million to 139,000 performers and recording rightsholders

PPL's Q2 2025 distribution is comprised primarily of payments for UK collections across public performance and broadcast licensing in 2024, as well as some additional revenue from international markets.
PRS Foundation Talent Development Network PPL

PRS Foundation expands its Talent Development Network for 2025-2026

Supported by PPL, the Talent Development Network offers grants of up to £25,000 per year to organisations for up to three years.
Orla Rae performing at iluvlive's Bloom event in January 2025

How iluvlive is building space for Black music to thrive, with support from PPL Giving

For over two decades, iluvlive has created space for Black music to grow - supporting artists through live shows, a development programme and a growing network of collaborators.
PPL's Executive Management Team at the 2025 AGM. Left to right: L-R: Camilla Waite, Jez Bell, Suzi Ibbotson, Kate Reilly, Peter Leathem, John Smith, Natalie Wade, Laurence Oxenbury, Chris Barton, Melanie Johnson.

PPL reports record revenues and continued growth at AGM

PPL’s recording rightsholder members met in London on 16 June for the Annual General Meeting, where Chief Executive Officer Peter Leathem OBE outlined a year of strong financial results and operational progress.

Benefits of joining

It's free to join

And we do not retain a profit for our services, meaning we maximise the royalties we pay.

International collections

We collect royalties for the use of recordings through agreements with other collective management organisations around the globe.

Regular royalty payments

UK royalties are paid out annually in June, plus other regular including quarterly international royalty payments.

Data-driven royalty calculation

We use cutting edge technology to calculate royalties at a track and individual performer level, based on music usage.

Manage your account online

Your myPPL account lets you securely manage your personal details and repertoire and view your payments online. 

Our members include both independent and major record companies, together with performers ranging from emerging grassroots artists through to established session musicians and global superstars.

PPL
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible.

Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.